{"id":14,"date":"2020-11-04T15:22:44","date_gmt":"2020-11-04T14:22:44","guid":{"rendered":"http:\/\/www.quentelo.fr\/quentelo\/?page_id=14"},"modified":"2025-11-09T23:13:39","modified_gmt":"2025-11-09T22:13:39","slug":"accueil","status":"publish","type":"page","link":"https:\/\/www.quentelo.fr\/quentelo\/","title":{"rendered":"Accueil"},"content":{"rendered":"\n<p><strong>Claude Quentelo<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"269\" height=\"147\" src=\"http:\/\/www.quentelo.fr\/quentelo\/wp-content\/uploads\/2020\/11\/francais.jpg\" alt=\"\" class=\"wp-image-865\" style=\"width:46px;height:25px\"\/><\/figure>\n<\/div>\n\n\n<p><strong>Sculpteur \u2013 Peintre Sumi-e<\/strong><\/p>\n\n\n\n<p>Le chemin depuis l&rsquo;acad\u00e9mie Julian en passant par la r\u00e9novation grand Louvre.<br>Tel est le travail du sculpteur de toujours.<br>Puis, fruit de sa recherche personnelle sur la superposition des temps et des espaces et l\u2019\u00e9mergence d\u2019une technique graphique inexplor\u00e9e&nbsp;:<\/p>\n\n\n\n<p><strong>Quentelo, peint uniquement avec une corde de violon\u00a0!<\/strong><\/p>\n\n\n\n<p>V\u00e9ritable m\u00e9dium artistique, original, exemplaire et qui transcende le cadre restreint de la cr\u00e9ation par les moyens num\u00e9riques.<br>Tel est le travail de l&rsquo;artiste cr\u00e9ateur de son temps.<br>Les mouvements perp\u00e9tuels entre le classicisme acad\u00e9mique et l&rsquo;appr\u00e9hension du 21\u00e8me si\u00e8cle suscitent un besoin irr\u00e9pressible de saisir l&rsquo;instant, au sens o\u00f9 Bergson l&rsquo;entendait dans \u00ab\u00a0la pens\u00e9e et le mouvant\u00a0\u00bb, \u00e0 savoir cette int\u00e9grale du pass\u00e9 qui d\u00e9finit l\u2019avenir&#8230;oxymore &nbsp;&nbsp;du temps&#8230;<\/p>\n\n\n\n<p class=\"has-text-align-right\">Audrey Bouctot<br>Critique pour l\u2019Art Quantique<\/p>\n\n\n\n<p>_________________________________________________________________<\/p>\n\n\n\n<p><strong>Claude Quentelo<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"419\" height=\"237\" src=\"http:\/\/www.quentelo.fr\/quentelo\/wp-content\/uploads\/2020\/11\/english.jpg\" alt=\"\" class=\"wp-image-864\" style=\"width:51px;height:29px\" srcset=\"https:\/\/www.quentelo.fr\/quentelo\/wp-content\/uploads\/2020\/11\/english.jpg 419w, https:\/\/www.quentelo.fr\/quentelo\/wp-content\/uploads\/2020\/11\/english-300x170.jpg 300w\" sizes=\"auto, (max-width: 419px) 100vw, 419px\" \/><\/figure>\n<\/div>\n\n\n<p><strong>Sculptor-&nbsp;Sumi-e Painter<\/strong><\/p>\n\n\n\n<p>The path from the Julian academy through the renovations at the Louvre museum in Paris.<br>This is the work of the forever sculptor.<br>Then, fruit of her personal research on the superposition of time and space and the emergence of an unexplored graphic technique:<\/p>\n\n\n\n<p><strong>Quentelo only paints with a violin string!<\/strong><\/p>\n\n\n\n<p>True artistic medium, unique and exemplary, it transcends the restricted framework of digital-based creation.<br>This is the work of the creative artist of his time.<br>The perpetual movements between academic classicism and the understanding of the 21st century arouse an irrepressible need to seize the moment, in the same way Bergson intended it in \u00ab\u00a0The Creative Mind: An Introduction to Metaphysics\u00a0\u00bb, that is this integral of the past that defines the future&#8230; oxymoron of time\u2026<\/p>\n\n\n\n<p class=\"has-text-align-right\">Audrey Bouctot.&nbsp;<br>Critic for Quantum Art<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Claude Quentelo Sculpteur \u2013 Peintre Sumi-e Le chemin depuis l&rsquo;acad\u00e9mie Julian en passant par la r\u00e9novation grand Louvre.Tel est le travail du sculpteur de toujours.Puis, fruit de sa recherche personnelle sur la superposition des temps et des espaces et l\u2019\u00e9mergence &hellip; <a href=\"https:\/\/www.quentelo.fr\/quentelo\/\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-14","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.quentelo.fr\/quentelo\/wp-json\/wp\/v2\/pages\/14","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.quentelo.fr\/quentelo\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.quentelo.fr\/quentelo\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.quentelo.fr\/quentelo\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.quentelo.fr\/quentelo\/wp-json\/wp\/v2\/comments?post=14"}],"version-history":[{"count":5,"href":"https:\/\/www.quentelo.fr\/quentelo\/wp-json\/wp\/v2\/pages\/14\/revisions"}],"predecessor-version":[{"id":1302,"href":"https:\/\/www.quentelo.fr\/quentelo\/wp-json\/wp\/v2\/pages\/14\/revisions\/1302"}],"wp:attachment":[{"href":"https:\/\/www.quentelo.fr\/quentelo\/wp-json\/wp\/v2\/media?parent=14"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}